Magical Melodies of Glorious Geeta Dutt

 

Selecting just seven songs of Geeta Dutt is not easy so I looked for a hook by which I could narrow this down to a lesser-known array of her songs. The hook was easy to find and I decided to focus on seven different music directors who she has sung for. The difficult part was the decision to not add S D Burman, O P Nayyar or Hemant Kumar to the list of MDs. It may feel like sacrilege to most as she has sung so many beautiful songs for them. Any reference of Geeta Dutt and our mind moves to ‘Waqt ne kiya kya haseen sitam’ or ‘Babuji Dheere chalna’ or ‘Piya aiso jiya mein samaye gayo re’. However, today we will take a look at her somewhat lesser talked about gems for other famous music directors. 

1. Music Director: Bulo C Rani

Ghoonghat ke pat khol re Jogan 1950

The film Jogan had 15 songs, out of which 12 songs were sung by Geeta Dutt. Jogan is a beautiful showcase of true gems in Geeta Dutt’s voice. Ten out of the twelve songs are her solos. The film is based on a complex love story where an atheist falls in love with a jogan, and most of these songs are bhajans by Kabir and Meerabai. The music was so popular that it was said that Jogan had three major stars: Dilip Kumar, Nargis and the songs of the film. Ghoonghat ke pat khol is the one most likely to be known to all as is Mat ja mat ja jogi. Nargis has listed this film as among her best, similarly Geeta Dutt counts Mat ja jogi from this film as one of her ten best songs.  Bulo C Rani’s (Bulo C Rani’s real name was Bulochand Chandiramani) association with Geeta Dutt lasted over 10 years from late forties to late fifties and it gave us nearly 70 beautiful songs with their combination. 

Trivia: Jogan was actor Rajendra Kumar’s debut film where he plays the role of Dilip Kumar’s friend. 

2. Music director: Roshan

Khayalon mein kisike 1950 Bawre Nain

Sung by Geeta Dutt and Mukesh, this song was a part of this successful film which was the second Kedar Sharma film that Roshan composed for. This film established Roshan as a thriving music director. All the songs for the heroine of this film were sung by Rajkumari Dubey but this one song for the second lead Vijayalakshmi was given to Geeta Dutt. This song now has pride of place in every Geeta Dutt compilation CD.

3. Music director: Chitragupt  

Naachti jhoomti muskurati aa gayee pyar ki raat  Miss Mala 1954

Unknown to most, Geeta Dutt has sung close to 100 songs for Chitragupt. This duet with Kishore Kumar is a rare occasion where Geeta Dutt provides playback for Vyjayantimala who stars with Kishore Kumar in this film. This film also has a very sweet lullaby sung by Geeta Dutt ‘Nanhe so ja re’. 

Trivia: From all her duets, Geeta Dutt has sung maximum songs with Mohd. Rafi. Out of around 155 duets of Geeta Dutt and Rafi, Chitragupt has composed around 30 of them!

4. Music director: Vasant Desai

Meri aan Bhagwan Toofan aur diya 1956

V Shantaram's Toofan aur Diya had three songs of Geeta Dutt. She gave the playback to Nanda’s kid brother played by Satish Vyas. "Meri aan bhagwan kan kan se ladi hain to tum se bhi aaj ladegi, meri baat tumhein rakhni padegi” is a song with some of the most powerful lyrics by Bharat Vyas and has been sung by Geeta Dutt with such elan and emotion. 

5. Madan mohan

“Aye dil mujhe bata de tu kis pe aa gaya hain" Bhai Bhai 1956 

This is a delightful solo picturised on Shyama. The lyrics written by Rajinder Kishen are playful and laced with mischief, “Ae dil mujhe bata de tu kis pe aa gaya hai, Woh kaun hai jo aakar khwabon pe chaa gaya hai”. Madan Mohan composed this delightful tune which Geeta Dutt sang in her distinct style.

6. Salil Choudhury   

Aankhon mein tum Half Ticket 1962

Geeta Dutt has sung only seven songs for Salil Choudhury in his 19 year career in Hindi films. These were three solos and four duets, where the duets were one each with Mohd. Rafi, Hemant Kumar, Manna Dey and Kishore Kumar. Aankhon mein tum is a chirpy duet filmed on Madhubala and Kishore Kumar, written by Shailendra in his classic style.

7. Kanu Roy

Koi chupke se aake Anubhav 1971

Many are mistaken that Kanu Roy was her brother. (Her brother was actually Mukul Roy who was a music composer and producer, her famous ‘Do chamakti aankhon mein’ was sung for his film Detective.) Geeta Dutt has sung just four songs in total for Kanu Roy but these songs are always part of everybody’s list while thinking of their favourite top ten songs of this singer. Anubhav was the quintessential swan song of this erstwhile singer as she passed away in 1972. The velvety smooth tones of her dulcet voice in the songs of Anubhav show us how much she still had to offer even at the fag end of her days.

Born as Geeta Ghosh Roy Chowdhuri in a zamindar’s family in Faridpur, East Bengal in 1930, and going on to be known as Geeta Roy, then Geeta Dutt, her voice and music has remained timeless for all of us to treasure forever. 

I hope you enjoyed this glimpse at Geeta Dutt’s songs with seven composers over the years. Do write in the comments below with your favourite Geeta Dutt song!

Melodies of Rajesh Khanna with Laxmikant Pyarelal

Rajesh Khanna films have always been synonymous with good music. While a lot has been written about the magical combo of Pancham with Rajesh Khanna, not enough is written about the fact that this superstar had nearly equal number of hits with Laxmikant Pyarelal. Starting with Do Raaste in 1969, this team continued giving melodious songs up to Nazrana in 1987. Rajesh Khanna and Laxmikant Pyarelal had 26 films together.

Interesting Trivia: The combination of Rajesh Khanna and Laxmikant Pyarelal had 21 songs featured in Binaca Geetmala.

Mere naseeb mein ae dost                     Do Raaste     1969

The first film in LP- Rajesh Khanna combination was Raj Khosla’s Do Raaste which became a super hit in 1969. Based on the raag Yaman Kalyan, Mere naseeb mein ae dost was the only song sung by Kishore Kumar for Rajesh Khanna in this film. Mohammed Rafi gave playback for the other two songs (Yeh reshmi zulfein and Chhup gaye saare nazare). A moving melody that gave the classic poor boy -rich girl scenario a deft emotional touch with lyrics written by Anand Bakshi .

Gareeb kaise mohabbat kare ameeron se
Bichhad gae hain kaee raanjhe apanee heeron se
Kisee ko apane muqaddar pe ikhtiyaar nahin…
Mere naseeb mein e dost tera pyaar nahin

Dilbar jaani chali hawa mastaani         Haathi Mere Saathi           1971

Apart from being one of the most melodious songs, Dilbar jaani is definitely among the most unusual duets on the Hindi film screen because of two reasons. Firstly, it is a romantic duet which is also a lullaby.  Secondly, it is sung not only in the presence of elephants and other animals, but the second stanza of it is sung to the animals! Kishore Kumar and Lata Mangeshkar light up this song with the mesmerising lyrics by Anand Bakshi. The start of the song with the whistle and the softening of Kishore’s voice for Saare soye tu kyon jaage saathi kya hai baat are just some of the magic moments in this song.

Interesting trivia: This was the first film written by Salim Javed.

Waada tera waada           Dushman      1972

This song would definitely get top rating by almost every Rajesh Khanna fan. It is said that the audience threw coins at the screen when this song appeared. Rajesh Khanna defied his hero image by taking on this role of Surjeet Singh, a truck driver who is almost an anti-hero in the beginning of the film and is accused of drunk driving and homicide. He went on to win the Filmfare award for best actor for this role.

Sachchaai chup nahin sakti banaawaT ke asulon se
ki kushboo aa nahin sakti kabhi kaagaz ke phoolon se!
Main intezaar karoon
yeh dil nisaar karoon
main tujhse pyaar karoon
O magar kaise aitbaar karoon?
jhootha hai tera waada…

 

Mere dil mein aaj kya hai           Daag              1973

Sung by Kishore Kumar and lyrics by Sahir, this song is sheer magic. Rajesh Khanna played the complex character of Sunil in the film Daag with a lot of finesse. The implausible script seems believable because of the earnestness that Rajesh Khanna gave to the role. Daag was filmed when Rajesh Khanna was at the peak of his popularity. The chartbuster score by Laxmikant Pyarelal contributed in equal measure to the thundering success of this film. Strangely, expecting a lukewarm response, Daag was released in a low-profile manner. Within six days of the release, the number of prints had to be tripled.

Interesting trivia: Daag was Yash Chopra’s first film as an independent producer.

Yeh jo public hai yeh sab jaanti hai     Roti    1974

Roti was a home production of Rajesh Khanna. It was actually the first film of Manmohan Desai which had music composed by Laxmikant-Pyarelal.  LP and Manmohan Desai went on to have a very long and fruitful association after this film. The songs of this film gained a lot of popularity and the phrase Yeh jo public hai remains relevant for every phase we live in. Sung by Kishore Kumar and worded by Anand Bakshi, the first line of this song has become a catch phrase for expressing the angst of the common man over the years. The song is filmed around the gorgeous locales of Kashmir. Rajesh Khanna discovers the hoarded grains in Jeevan’s store and the song pinpoints the effect that corruption has on the common man. Roti remains one of Manmohan Desai’s underrated films.

Interesting trivia: Jeetendra does a cameo appearance in this song!

Heere-moti tumne chhupaaye kuchh hum log na bole
Ab aataa-chaawal bhi chhupaa to bhookhon ne munh khole
Are bheekh na maange, are karz na maange,

Bheekh na maange karz na maange
Ye apnaa haq maangti hai
Public hai ye sab jaanti hai

Phool ahista phenko                     Prem Kahani           1975

Every time Mukesh sang for Rajesh Khanna, it made people sit up as they were used to hearing Kishore or Rafi as his playback. This Mukesh- Lata duet worded by Anand Bakshi ranks among the best of Rajesh Khanna-Mumtaz songs. There is so much crackling chemistry and palpable anguish between the two in this song. Our heart goes out to Shashi Kapoor who, for some reason, seems totally unaware of it despite the clear underlining by the lyrics! The song is filmed with all the three actors seated and camera is focused on their faces for the entire song. With understated expressions which speak volumes, the three actors have nailed this complicated story situation in the film. This song begins with a back-and-forth poetry recital by Rajesh Khanna and Mumtaz which finally culminates into this song. These were the days when songs were not used to just fill up space, they had a lot to say and add to the story.

Kaha aapka ye dagaa hi sahi
Ke hum beqadar bewafa hi sahi
Bade shaukh se jaaiye chhod kar
Magar sehane gulshan se yun tod kar
Phool aahistaa phenko
Phool bade naazuk hote hain
Waise bhi to ye badd-kismat
Nok pe kaanton ki sote hain….

Aate jaate khubsoorat                  Anurodh       1977

This song is among the few that have been filmed in a radio station, where the main character is a singer. Sung by Kishore Kumar and worded by Anand Bakshi, the singer reminisces about meeting a girl in the middle of the night in a car garage. The situation that the song describes is uncannily similar to Kishore Kumar and Madhubala in Chalti ka naam gaadi (Ek ladki bheegi bhaagi si). Anurodh was a very melodious album in 1977 as the 70s hurriedly added precious gems to our collection before the desolate 80s swept in. This film has many Kishore solos for Rajesh Khanna (Aap ke anurodh pe, Mere dil ne tadap ke, Jab dard nahin tha seene mein) each of which deserves a place in this list, ideally.

An interesting aspect of Laxmikant Pyarelal- Rajesh Khanna combination is that LP used Rafi as well as Kishore Kumar nearly on equal basis for his playback.

Limiting the list to seven, as always, has made me miss out on some beautiful songs from this team. It was tough to omit Mehboob ki mehndi, Aan milo sajana, Palkon ki chhaon mein… to name just a few! Do write in with your favourites in the comments below!

Seven songs showcasing Bombay meri jaan

A topic that touches two of my favourites: Hindi film songs and the beautiful city of Mumbai. Although the essence of the city has remained the same over the years, it feels so nice to revisit the Bombay of old that is captured in Hindi films where certain years and decades of this city are available, frozen in time, for us to revisit whenever we want.

1.Ae dil hai mushkil jeena yahan                      1956

Film: CID

Ae dil hai mushkil jeena yahan,

Zara hatt ke, zara bach ke,

Yeh hai Bombay meri jaan…

Seeing Bombay of the 50s in black and white films lends a whole new aura and glamour of the past to those days. From Victoria Terminus (now Chhatrapati Shivaji Terminus) to the tanga breezing through Marine Drive, this song shows us many glimpses of Bombay of the 50s. The lyrics by Majrooh Sultanpuri have captured both the angst as well as the joy of this city. His words Yeh hai Bombay meri jaan are now the tagline of so many things written about this city. Sung by Mohd Rafi and Geeta Dutt, and music composed by O P Nayyar, this song tops most lists of Bombay songs. Interesting side note that this is probably the only song that mentions the trams of Mumbai.

Kahin building kahin traame,
Kahin motor, kahin mill,
Milta hai yahan sab kuchh,
Ik milta nahin dil…

Insaan ka nahin kahin naam o nishaan
Zara hatt ke, zara bach ke
Yeh hai Bombay meri jaan….

2. Babu samjho ishaare                           1958

Film: Chalti Ka Naam Gaadi

This song has five stars within it. The three brothers Ashok Kumar, Anoop Kumar, and Kishore Kumar, their vintage car Ford Model A and the city of Bombay. As the brothers ride on the streets of Mumbai ,from the start of the song, we can see the classic landmarks of Churchgate, Western Railway headquarters and Eros cinema.

Yahan chalti ko gaadi, kehta hain pyaare

Composed by S D Burman and penned by Majrooh Sultanpuri, this song is magic on celluloid.

On a side note, a part of the road of Bandra Sea face is seen in this song as well as in Kiski muskarahaton pe in Anari.  Both films released within a year of each other CKNG 1958 and Anari 1959.

3. Jaaneman jaaneman               1976

Film: Chhoti si baat 

This song covers the office goers’ Bombay. From local bus travel to queueing for the lift at Express Towers at Nariman Point, this song is an enticing look at the city with all its opportunities. This film covers many other landmark locations in Bombay like Samovar restaurant at Jehangir Art Gallery, landmarks which have long gone now but live on in Basu Chatterjee films. It was a tough call to select just one song from this film as the other two (Yeh din kya aaye and Na jaane kyun) also cover many other delightful scenes of Bombay. Sung by Yesudas and Asha Bhosale, music by Salil Choudhary and written by Yogesh, this song captures mid 70s Mumbai in all its glory.

 

 

4. Tumhe ho na ho mujhko to               1977

Film: Gharonda

This is Bombay as it was in the late 70s. A beautiful solo by Runa Laila, music by Jaidev and penned oh so mesmerisingly by Naqsh Lyallpuri, this song starts off from the restaurant Naaz at Hanging Gardens and goes on to film nariyal paani and bhel puri at Juhu Beach and culminates fittingly at Nariman Point for this stanza.

Koi khwaab oonche makaanon se jhaanke

Koi khwab baitha rahe sarr jhukaaye

Kabhi dil ki raahon mein phaile andhera

Kabhi door tak Roshni muskuraye….

 

5. Seene mein jalan aankhon mein                 1978

Film: Gaman

However beloved a city, it also forms the background for the stress we live with. Seene mein jalan is the view of Mumbai through a stressed Farooque Shaikh driving the classic Kaali Peeli. The words underline the anxiety and work worries that overwhelm us. As the taxi rides through the streets of Bombay, we catch glimpses of the traffic, the shops and hawkers and then the sudden aerial view of the Queen’s Necklace at Marine Drive with the Brabourne stadium in clear view. Written by Shahryar ( Akhlaq Mohammad Khan) and composed by Jaidev, this is one of the finest solos of Suresh Wadkar. The song is a series of questions and we still don’t have answers to any of them.

 Kya koi nayi baat nazar aati hai hum mein

Aaina humein dekh ke hairan sa kyun hai

Seene mein jalan, Aankhon mein toofaan sa kyun hai

Is shehar mein har shaks pareshan sa kyun hai…

 

6. Suniye kahiye                 1979  

Film: Baton Baton mein

A distinctive joy of Basu Chatterjee films is that most of them showcase normal Bombay life with the normal by lanes, buses and trams. His films made Bombay the hero of the film as much as the main actors. Baton Baton Mein is shot entirely in Bombay, and primarily in its western suburb of Bandra. Watching Amol Palekar and Tina Munim traipsing through the streets of Bandra, travelling to work in the Mumbai local train and walking near Bandra sea face is a very nostalgic experience for those who remember the Bandra of the late 70s and early 80s. Even the opening credits in the film cover charming Bandra scenes from St Andrews church to Elco arcade on Hill Road.

7.Rhimjhim gire sawan                            1979

Film: Manzil

A song that is one of the foremost to hum in our minds at the beginning of monsoon in India, bringing visions of a rain drenched Marine Drive and a very much in love couple enacted by Amitabh Bachchan and Moushami Chatterjee skipping along the promenade, in a suit and a saree, with the waves splashing onto them. The scenes go on to capture them splashing through the rain at at Oval Maidan with Rajabai tower as well as the High Court in the background. Written by Yogesh and composed by R D Burman, this song could well be called the monsoon anthem of rain loving Bombay.

Is baar sawan mehka hua hai

Is baar mausam behka hua hai.. 

Jaane pee ke chali kya pawan 

Sulag sulag jaaye mann

Bheege aaj is mausam mein

Lagi kaisi yeh agan

Rhimjhim gire sawan…

Monsoon plus Mumbai is a very potent combination, and this song has bottled the romance that fills the air within its visuals. There, within our reach, whenever we want to feel it again.

The years will move on, and Bombay will continue to entice and exhilarate. Do write in the comments below to tell me about any film or song that showcased this city to your liking!

Magical songs of Shammi Kapoor with Shankar Jaikishan

Some associations are blessed by God, and they create magic when they come together. Shammi Kapoor and Shankar Jaikishan were one of these combinations that were blessed by a power greater than all of us, and they went on to bless our lives with incredible music that continues to enrich our lives today. This team gave us about 60 songs out of which almost 50 were super hits. Here’s a look at their magic. As they say, let’s start at the very beginning…

 

1.    Suraj zara aa paas aa      Ujaala              1959

Ujaala was the first film where Shankar Jaikishan scored the music for Shammi Kapoor. The voices used in this film for Shammi Kapoor are Manna dey and Mukesh. Later on, of course, Mohammed Rafi became the norm for him. Their second film Singapore, in fact, had Mohammed Rafi as the playback for Shammi Kapoor and that combination went on to create history.

Here, Shailendra writes about the fire of hunger, the words are all the more profound as they are sung for hungry children.

 Aaloo tamaatar ka saag,

imli ki chutnee baney,

roti karaari sikey,

ghee usspey asli lagey... 

These words bring up the image of a delectable meal in our eyes and yet this image tugs at the heart strings as we think of the plight the children are facing. Only Kaviraj could have wrought this magic.

2.    Ehsaan tera hogaa mujh par            Junglee         1961

The first major hit of Shammi Kapoor- SJ combo which catapulted the actor into the big league. In Shammi kapoor’s words, they ‘struck gold’ with this film. LINK  Hasrat Jaipuri penned this romantic solo which was used as a tandem song with Lata Mangeshkar singing the female solo in her melodious best. Rafi’s rendition of this song personifies yearning and earnestness in love. 

Chaahe banaa do chaahe mitaa do

Marr bhi gaye to denge duvaayen

Udd udd ke kahegi khaak sanam

Yeh dard-e-mohabbat sehne do…

Mujhe tumse mohabbat ho gayi hai

Mujhe palko ki chaanv mein rehne do

Ehsaan tera hoga mujh par …

 

3.    Khuli palak mein jhootha gussa      Professor      1962

 

A delightful romantic solo in classic Shammi Kapoor mode. Shailendra here wields his romantic pen and gives us magic.

Jis din se dekhaa tumko,

tum lagey mujhe apne se,

Aur aakey rahey aankhon mein,

ek mann chaahey sapney se,

Samajh na aaye, kya jeeta main,

aur gaya kya haar,

Jeena bhi mushkil,

marnaa bhi mushkil...

Ever since I knew that this song is apparently shot in Aarey Milk Colony in Mumbai, I plan to go there again to just imagine the team shooting there with this song being played in the background. If only places could speak, they would have so much to tell us of the magic moments witnessed!

 

 

4.    Meri muhobbat jawan rahegi          Jaanwar       1965

 

If there were one solo that had to be selected as quintessential Shammi Kapoor song, it would be this. With beautiful Kashmir in the background, the scene of the hero wooing the heroine with grand declarations, and Rafi providing the vocals, this song ticks all the boxes in the most heart-warming manner. Shankar Jaikishan and Hasrat Jaipuri create cinema magic.

 

Na Tumsa Koyi Zamaane Bhar Mein
Ho Ho
Na Tumsa Koyi Zamaane Bhar Mein
Tumhi Ko Chaha, Meri Nazar Ne
Tumhi Ko Chaha, Meri Nazar Ne
Tumhe Chuna Hai, Tumhe Chunegi
Sada Rahi Hai, Sada Rahegi
Meri Mohabbat Jawaan Rahegi
Sada Rahi Hai, Sada Rahegi

 

5.    Main gaaon tum so jaao        Brahmachari           1968

Shammi Kapoor plays the title role of Brahamachari who has a heart of gold and looks after orphans, trying to bring cheer and laughter in their lives. He won the Filmfare award for best actor for this film. This lullaby emphasises his earnest and sincere wish to see a better world for his wards. The encouraging words by Kaviraj laden with positivity share an interesting contrast with the subdued and sober Rafi’s voice to the gentle tune of Shankar Jaikishan. It’s like Brahmachari is feeling the pathos and despair for the children while keeping up a joyful front for them. Hope treads a thin line beside sadness in this song and that, perhaps, is the beauty of it. Kaviraj, SJ and Rafi pull off this feat with such elan!

Maana aaj ki raat hai lambi,

maana din tha bhaari,

Par jag badlaa, badlegi,

ek din taqdeer hamari,

Uss din ke khwab sajaao...

Main gaaoon tum so jaao...

 

6.    Tum mujhe yun bhula na paaoge    Pagla Kahin ka         1970

Pagla Kahin ka came at the fag end of Shammi Kapoor’s career. The film dealt with loss and the trauma that the human mind suffers in order to overcome a huge setback in life. I would rate this as one of Shammi Kapoor’s and Asha Parekh’s finest performances in a convoluted plot. The film has a lot of finer moments in the scenes between Shammi Kapoor and Asha Parekh. Hasrat Jaipuri pens the most famous song of this film. Again a tandem where Lata Mangeshkar has also sung this song, albeit with a different anatara.

Mujhko dekhe binaa qaraar na thaa
ek aisaa bhi daur guzraa hai
Jhooth maano to pooch lo dil se
Main kahoongaa to rooth jaaoge
Haan tum mujhe yoon bhulaa naa paaoge

 

7.     Dil use do jo jaan de de        Andaz           1971

 

This could really be termed as the swan song of Shammi Kapoor’s career as a hero or leading man. The music was scored by Shankar Jaikishan and penned by Hasrat Jaipuri. The songs of this film gave the mega star a fitting finale, so to speak. Although there was a late release film Chhote Sarkar in 1974 with Shammi Kapoor and Sadhana in the lead roles, Andaz was by far the right closing act as a hero for the star who gave us so much through his films and music. Rafi and Asha Bhosale gave this party song a peppy feel.

Dil use do jo jaan de de

Jaan use do jo dil de de…

The song, as many Shammi Kapoor songs, is rife with philosophy. Although the lines seem carefree about falling in love, they actually hint that one should think carefully before giving away our affection.  

The antaras go on to welcome new beginnings.

Ye pyaar ke nazaare hain
dekh lo jidhar,
Ab naachti hai duniyaa
khushi ka hai asar…

Lo khatam huaa hai
ye aaj ka safar,
Ab hogi suhaani
Wo kal ki Sahar…..

Shammi Kapoor moved on from this phase to do memorable character roles. However, he will always be the magical hero for us with his romantic films. His lilting songs will always bring a slight breeze to flutter the curtains in our room as we are dreamily carted off to the pristine valleys of Kashmir and his cine magic land.

Do write in the comments with your feedback and tell us your favourite Shammi Kapoor songs!

 

Seven Songs of Sapne

 

‘The future belongs to those who believe in the beauty of their dreams.’ This was said by Eleanor Roosevelt and our HFM has happily given life to this quote with its myriad songs on Sapne/ dreams. Be the dreams in any form, they fill our lives and provide some balance in good days and bad.

1. Mere sapne mein aana re

Film: Rajhat 1956

Singer: Lata Mangeshkar

Music Director: Shankar Jaikishan

Lyrics: Shailendra

Madhubala lights up the screen with the honeysweet rendition by Lata Mangeshkar. As she asks her beloved to appear in her dream, she imagines everything she probably wouldn’t dare to suggest when she actually met him. The shy hesitant personality which takes on a different bravado for her dreams sets an interesting contrast in this song.

Mere sapne mein aana re, sajnaa,

Mere sapne mein aana re,

Woh baat zaraa mere kaanon mein,

phir se keh jaana re...

 

 

2. Sapne mein sajan se do baatein

Film: Gateway of India 1957

Singer: Lata Mangeshkar

Lyrics: Rajinder Kishan

Music: Madan Mohan

Somehow one of the first songs to come to mind for Sapne is this song. That is surprising as I have never seen this song on video as it isn’t available. However, that has never stopped me from visualising Madhubala in this sweet melody composed by Madan Mohan. Lata Mangeshkar has sung this song with such emotions that our mind can bridge the gap for the visual and its almost as if we have seen the video with Madhubala’s dulcet smile. This is true for most old hindi film songs that have missing videos, our mind’s eye directs the visuals.

Ik raat milan ki aayee thi,
aur uske baad judaayi thi,
gham aur khushi ki do raaten
ik yaad rahi ik bhool gaye…
Sapne mein sajan se do baaten…

 

 

3. Tere mere sapne ab ek rang hai    1965

Film: Guide

Singer: Mohammed Rafi

Music director: S D Burman

Lyrics: Shailendra

A shattered Rosy slowly comes to life as Raju hands her the hope of shared dreams and a life together in this song. Each line is steeped in sincerity as the trio of Kaviraj Shailendra, S D Burman and Mohammed Rafi serve us magic on a platter. The pathos of the saxophone set against the early light of Udaipur with Dev Anand and Waheeda Rehman is the ultimate magic that cinema has ever offered.

Lakh manaa le duniya,
Saath na yeh chhootega,
Aake mere haathon mein
Haath na yeh chhootega…
O mere jeevan saathi
Tere mere sapne ab ek rang hain..

 

 4. Sapnon ka Saudagar    1968

Film: Sapnon ka Saudagar

Singer: Mukesh

Lyrics: Shailendra

Music: Shankar Jaikishan

Life throws many curve balls and it can sometimes be difficult to keep our spirits up. At times like these, what helps is hope. No matter how difficult the circumstances, keeping hope and optimism alive helps one chart the troubled waters. With the words ‘Tumse kismet khel chuki, Tum kismet se khelo’, Shailendra has nailed the power of hope in his inimitable manner.

Ik chhaliya aas ke peechhe,
Daude to yahaan tak aaye,
Har shaam ko dhalta suraj
Jaate jaate keh jaaye…

Woh tay kar legaa manzil

Jo ik sapna apnaaye…’

 

 

 

 

5. Sapna mera toot gaya   1973

Film: Khel Khel Mein

Singer: Asha Bhosale and R D Burman

Music: R D Burman

Lyrics: Gulshan Bawra

 

When one has shared one’s dreams with someone and that person is gone, those dreams feel hollow, shattered. This song is filmed on Aruna Irani where she reminisces about Rakesh Roshan. However, this song, for me, will always be about Asha Bhosale and Pancham. That tug at the heartstrings will always be there when I hear this song as I think of both of them. The song switches between memories in the antaras and back to reality with the mukhda. The slight pause before the mukhda as one is jerked back to the present works to emphasise the despair of broken dreams. The utter emptiness that takes their place.

 

6. Ek din sapne mein dekha sapna

Film: Golmaal      1979

Singer: Kishore Kumar and Sapan Chakraborty

Music: R D Burman

Lyrics: Gulzar

A dream within a dream! As only Gulzar can visualise! This is a song on farfetched dreams. Something that has practically zero chance of materialsing and yet gives immense joy to the mind. My sapne mein sapna was always a wish to meet Dev Anand. Never happened but then that’s why it qualified to be my sapne mein sapna! Life gets colours of joy with such dreams. The song has Ramprasad (Amol Palekar in one of his finest roles) imagining himself in Amitabh Bachchan’s shoes and signing autographs while Big B looks on in dismay. Rekha begging him to stay back and Lata’s singing  being accompanied on the tabla are further sapnas, each of which bring a smile to our lips.

The sweetest line of this song is

‘Ik din sapne mein dekhi sapni,

Woh jo hai na Lata apni..’

7. Dekho maine dekha hai yeh ek sapna   

Film: Love Story   1981

Singers: Amit Kumar and Lata Mangeshkar

Music: R D Burman

Lyrics: Anand Bakshi

When dreams are ambitions as well as visions of life with one’s beloved, then this song fits the bill! The debut film of Kumar Gaurav who went on to be the heart throb of young girls at that time. This film also established Amit Kumar as the singing voice of Kumar Gaurav, a lot like Shailendra Singh’s voice getting associated with Rishi Kapoor at the beginning of his career. The song hints at the lead character Bunty’s inclination towards taking up the field of architecture, something that he had disagreed with his father for in the beginning of the film as he wanted to be a pilot. The lyrics follow each part of the house design blending in nicely with aspirations for different facets of his life.

 

I was limited by the number seven and could not list more of my favourite songs on sapne. Do write in with your favourite sapne songs in the comments!