Boot Polish 1954
Music
Directors: Shankar Jaikishan
The film Boot
Polish is the heart-rending story of two orphan siblings Bhola (Ratan Kumar)
and Belu (Naaz) who are forced to beg by their wicked aunt. A bootlegger John (David)
teaches them dignity of labour and shows them how to work for a living with self-respect
instead of begging. The songs of this film enhance the emotions that the
viewer feels at every stage of Bhola’s and Belu’s childhood. Produced by Raj Kapoor,
this film carries the shining unmistakable philosophical tone ingrained in all RK
films.
1. Nanhe
munhe bacchhe teri mutthi mein kya hai
A song that
follows a pattern of questions and answers as John Chacha tries to know how motivated
the children are and gets heartening answers from them which make him hopeful
about their generation.
Written by
Shailendra in 1954, this song presents hope, ethics and perseverance as the
beacon showing the way ahead for India at that time. The song is full of
optimism and the beauty of Kaviraj’s words is such that we hear this song at
any juncture of life and wish that these ethics were upheld by one and all.
John Chacha
asks:
"Bheekh
mein jo moti miley, logey ya na logey,
Zindagi
ke aansuon ka, bolo kya karogey ?
The children
reply :
Bheekh
mein jo moti miley, toh bhi hum na lengey,
Zindagi
ke aansuon ki, maala pehnengey,
mushkilon
se ladtey, bhidtey, jeeney mein mazaa hai...
2. Raat
gayi phir din aata hai
Written by Saraswati
Kumar 'Deepak' , this is an inspiring song steeped in philosophy, sung by Manna
Dey and Asha Bhosale.
Kabhi andhera kabhi ujaala
Phool khila phir murjhaata hai
Khela
bachpan hansi jawaani
Magar budhaapa tadpaata hai…
Sukh dukh ka pahiya chalta hai
Wohi naseeba kehlaata hai
Raat gayi phir din aata hai
Issi tarah aate jaate hi
Ye saara jeewan jaata hai…
On a side
note, these lines remind me of Shailendra’s lines from Teesri Kasam :
Ladakhpan khel mein khoya
Jawani neend bhar soya
Budhapa dekh kar roya
Yahi kissa purana hai…
3. John
Chacha tum kitne ache
This song is
generally considered as part of ‘Raat gayee phir din aata hai’ but is actually
a separate song in its own right with a different theme which flows like liquid
gold out of the earlier song. The complete desolate mood of the slum children
who feel better after their John Chacha croons the soothing words of ‘Raat
gayee phir din aata hai’ creates a
change of mood when they start singing ‘John Chacha tum kitne ache, tumhe pyaar
karte sab bachhe’. In true essence of this film, this peppy song still delivers
punchy hard hitting life questions:
Chacha
kya hoti taqdeer,
Kyun hai
ek bhikaari, chacha,
Kyon hai
ek Ameer…
The
unfairness of life in distributing blessings in unequal portions.
4. Badhta
chal
This song
flows from John Chacha tum kitne ache, effectively making a trilogy of Raat
gayee, John chacha tum kitne ache and Baddhta chal. This song
culminates with the lines:
‘Yeh raat
gayee, who subah nayee’
These lines essentially
bring the trio of songs to a full circle as they re-emphasise the opening lines
of the first song of the trio ‘Raat gayee phir din aata hai’, persuading the
children that there is light after darkness. Always.
5. Theher
zara o jaanewaale
Penned by
Shailendra and sung by Asha Bhosle and Manna Dey, the lines question the disparity
between the lower and upper classes in life. Asked in simple language that
would be used by children to get some answers, the innocence in the words makes
it much more effective.
Panditji mantar padhate hain
Woh Gangaji nahalate hain
Hum pet ka mantar padhte hai
Joote kaa muh chamakate hai…
Pandit ko paanch chavanni hai
Apni toh ek ikanni hai
Phir bhed bhav yeh kaisa hai
Jab sab ko pyara paisa hai
Oonch neech kuchh samajh naa paye
Hum matwale palishwale
On a sidenote, this song appeared in 1951 in
background chorus form in Raj Kapoor’s Awara. It was filmed on a young Shashi
Kapoor. It was sung by chorus singers and later used in its full form in Boot
Polish. Here’s the clip for that chorus version!
6.
Tumhare hain tumse daya maangte hain
It is a rare
soul whose eyes don’t turn moist on hearing this song. Children in tattered
clothes, walking the streets of the city, asking for compassion and help from
the ones who have it all. Shailendra ensures an ethereal haplessness in the
lyrics which makes us feel raw with emotion. Mohd Rafi and Asha Bhosale give
this song a vulnerable sensitivity which gives the listener goosebumps. The
term goosebumps, for me, was always a textbook term till I heard this song. After
hearing this song, I finally knew exactly what goosebump feelings are.
Kissi ki na ho, jaisi kismat hai apni,
Dukhi dil sabhi ka bhalaa maangtey hain...
and
Kisi shaam ko, ek pal bhar jaley jo,
Hum aasha ka aisa diya maangtey hain...
7. Chali
kaunse des
Chali kaunse
des is counted as one of the most sensitive songs describing the emotions of a
brother and sister. Although the words show a brother singing a bidaai song of
farewell at his sister’s wedding, the film uses it in a very different context.
Bhola is looking for his lost sister and this song comes on screen at a time
when he is feeling extreme despair and losing hope of finding her. He happens
to come across a blind street singer (Kaviraj Shailendra himself in a rare
appearance) who is singing this at the roadside. Shailendra excels with the lyrics, sung with
ethos by Talat Mahmood and Asha Bhosale.
Cannot help
mentioning the extra stanza here which unfortunately is not available in any
video version of the song. This extra stanza reveals an extra layer in the song
where we realise that the poet is talking about something much deeper than
bidaai.
" Do din jag mein, dhoom machaaye,
Jaakey koyi, waapas na aaye,
Khoj, khoj thakk jaaye,
Do naina, chaand suraj ke......"
Keeping to
my theme of seven, I have not managed to include two equally beautiful songs Taron
ko dil ki baat and Lapak jhapak.
Watching
Boot Polish is a life affirming cinema experience. The struggle of the children
for their survival and respect from society is very moving. Hope you enjoyed
the musical journey through this classic film. Do write in with your favourite
song of Boot Polish with reasons in the comments below!
You brought the songs of Boot Polish back in my mind. I love Tumhare hein tum se daya mangte hein. Very elegantly composed iin Jhap taal. Keep writing!
ReplyDeleteThank you for your encouraging words!
DeleteAnd yes, Tumhare hain tumse is my favourite song in the whole album!
Goose bumping music & lyrics in all its essence
ReplyDeleteTruly! The music of Boot Polish creates many goose bump moments. Sheer magic!
Deletegreat you are, in terms of this blog, structuring your thoughts. and you have picked one of the best films for a beginning. my favourite too. shailendra is invariably deep. he is deeper in this film.
ReplyDeletewill look forward to more of your esssys. my best wishes
vijay kumar
Thank you so much for your feedback, Vijay Kumarji :) Happy to know you enjoyed reading 'Musical journey with Boot Polish'. This film is definitely among my SJ and Kaviraj favourites, too!
DeleteThis blog is a delightful journey into the soul.of good music which has become extinct by now . I realise that the lyricists form the pillars of the golden era of Hindi films , which probably faded out in last 15/20 years . The high strike rate success achieved by Kaviraj shailendra , Sahir , Hasrat jaipuri , Majrooh sultanpuri and Gulzar make this journey memorable. They all cover a wide range mentioned in this blog as well as Inna Mina dikka and Cat .
ReplyDeleteThank you for such kind feedback! As you rightly said, that was the golden era of hindi films. So happy to have like-minded people on this journey😊🙏
Delete